VIVA LA CELLULOID: New Film Prints and Restorations
Tuesday 24 July - Saturday 1 September 2012
It seems like every recent article on cinema has been ringing the death knell for film as we know it. From the bankruptcy of Kodak, to the exponential increase in digital cinema theatres, and even the increased costs of shipping, it sure seems like dire straits for our beloved physical medium. But there’s still some crazy cats out there (ourselves included) who refuse to admit defeat. What follows are some films ripe for rediscovery, all presented in glorious new film prints from recent restorations.
Schedule
Saturday, August 4th
- 11:30am: The Gang’s All Here
Sunday, August 5th
- 11:30am: The Gang’s All Here
Sunday, August 12th
- 11:30am: The French Connection
Saturday, August 18th
- 11:30am: Guess Who’s Coming to Dinner
Sunday, August 19th
- 11:30am: Guess Who’s Coming to Dinner
Saturday, August 25th
- 11:30am: Pretty Poison
Sunday, August 26th
- 11:30am: Pretty Poison
Films
The Gang’s All Here (1943)
directed by Busby Berkeley starring Carmen Miranda
Hallucinatingly choreographed as only Busby Berkeley could do, this visually dazzling wartime Technicolor musical’s only plot-point involves soldier James Ellison going off to war with both Alice Faye and Sheila Ryan believing they are engaged to him. Featuring the knock-out musical number “The Lady with the Tutti-Frutti Hat” starring Carmen Miranda in the most outrageous extrapolation of her schtick.
The French Connection (1971)
directed by William Friedkin starring Gene Hackman, Roy Scheider
Featuring what is still one of the greatest car chases ever filmed, this out and out thriller is based on a true story. Doyle and Russo (Gene Hackman and Roy Scheider) are two NYPD narcotics cops who stumble onto a drug smuggling job with a French connection. When someone tries to kill Doyle, he begins a deadly pursuit that takes him far outside the city (and legal) limits.
Guess Who’s Coming to Dinner (1967)
directed by Stanley Kramer starring Sidney Poitier, Spencer Tracy, Katharine Hepburn, and Katharine Houghton
A groundbreaking film challenging race relations in Civil Rights-era America (especially given that anti-miscegenation laws were still on the books in 17 states at the time of release). Joanna Drayton (Katharine Houghton) is a young white woman who has had a whirlwind romance with Dr. John Prentice (Sidney Poitier), a young, idealistic black physician she met in Hawaii. When Joanna brings her new fiance to dinner to meet her liberal upper-class parents (Spencer Tracy and Katharine Hepburn), she is shocked to find such opposition to her marriage.
Pretty Poison (1968)
directed by Noel Black starring Anthony Perkins, Tuesday Weld
Anthony Perkins, unable to shake off the yolk of Psycho, here plays his best iteration of a psychopath since that defining (and damning) role in this fantastic, ecologically prescient black comedy. Perkins, a young arsonist out on parole, enlists sexy high-schooler Tuesday Weld to help him with an industrial sabotage scheme he’s hatching. But Perkins wasn’t expecting such enthusiastic complicity!

