The 2014 Chicago French Film Festival

Thursday, July 31st – Tuesday, August 5th, 2014

 
 

Vive le cinema!

The fourth annual Chicago French Film Festival is coming July 31 – August 5, 2014. This year’s festival will offer Chicagoans an opportunity to see the best the French film industry has to offer. Mark your calendar now and plan to see new French films in a variety of genres.

 
<cite>Chicago French Film Festival Opening Reception</cite>

Chicago French Film Festival Opening Reception

The 2014 Chicago French Film Festival will open with an opening reception from 6:30pm to 7:30pm on Thursday, July 31st. All attendees to the opening night screening of Me, Myself, and Mum will receive a complimentary glass of wine provided by Tenzing Wines & Moraine Vineyards, as well as appetizersby the LM Restaurant Group (www.lmrestaurant.com). Further sponsorship is brought by and the Consulat Général de France at Chicago and the Music Box Theatre. Tickets can be purchased for the opening night screening and reception to Me, Myself, and Mum.

<cite>Me, Myself and Mum (Les Garcons et Guillaume, a table)</cite>

Me, Myself and Mum (Les Garcons et Guillaume, a table)

directed by Guillaume Gallienne in French

Opening Night Presentation!

“A delightfully self-deprecating crowdpleaser adapted from Guillaume Gallienne’s well-received one-man show, Me, Myself and Mum offers a playful twist on the typical coming-out narrative, in which an effeminate young man is the last to realize what everyone around him has already decided. Gallienne, who belongs to the country’s prestigious Comedie-Francaise acting troupe, milks his awkward upbringing for big laughs, playing the roles of both his younger self and his elegant if somewhat imperious mother (in drag, of course).” —Variety

<cite>Jappeloup</cite>

Jappeloup

directed by Christian Duguay in French

A sporting adventure based on the powerful, true story of Pierre Durand and his prize-winning steed, Jappeloup is a sort of Rocky set in the equestrian world.

Visually gorgeous, it contains great challenges, wonderful characters, a dash of humor and a lot of emotion. Written by and starring Guillaume Canet (Tell No One), with Daniel Auteuil and Marina Hands, “Jappeloup takes an essentially self-contained, relatively decorous sport — show jumping — and turns it into a suspenseful, nail-biting series of death-defying equine leaps… quintessential family fare.” —Variety

<cite>Paulette</cite>

Paulette

directed by Jerome Enrico in French

The late Bernadette Lafont, a key figure in the French New Wave, stars as a grouchy widow with an overly tart tongue. While struggling to make ends meet, she discovers she has a talent for selling hashish. Set in the projects on the edge of Paris, this politically incorrect, comic take on aging and loneliness might recall Tatie Danièle. With Carmen Maura.

“As the bad-grandma title character, Bernadette Lafont is all in, never playing for sympathy or sugarcoating the nastiness.” —The Hollywood Reporter

<cite>Eastern Boys</cite>

Eastern Boys

directed by Robin Campillo in French

The director of Les Revenants (the basis for the hit French television series The Returned) subverts conventions and expectations with the provocative Eastern Boys. It begins as middle-aged businessman Daniel solicits young Marek at a Paris train station. When Daniel invites Marek to meet him at his home the next day, what follows moves from home invasion to tender romance to suspenseful race against time.

This erotically-charged nail-bitter is also a cautionary tale revolving around desire, impulse and responsibility.

<cite>Belle and Sebastien (Belle et Sébastien)</cite>

Belle and Sebastien (Belle et Sébastien)

directed by Nicolas Vanier in French

Adapted from the beloved novel by author Cécile Aubry and set during WWII in the snowy Alps of occupied France, we meet resourceful young Sebastien and the giant mountain sheepdog he tames and calls Belle.

When Nazi soldiers march into town looking for members of the French Resistance who are guiding Jewish refugees to neighboring Switzerland, Belle and Sebastien’s loyalty — to each other and to the village that’s embraced them both — is put to the test.

<cite>Playing Dead (Je fais le mort)</cite>

Playing Dead (Je fais le mort)

directed by Jean-Paul Salomé in French

Both comedy and thriller, Playing Dead centers on Jean (François Damiens), a floundering, 40-year-old, out-of-work actor who has hit rock bottom. At the unemployment office, his counselor offers a rather odd proposal: he can help the police reconstruct crime scenes by standing in for the dead victim. As he takes a leading role in a sensitive murder investigation at a Megève ski resort, Jean’s obsession with detail both impresses and annoys the investigators. “A clever murder mystery backed by the hilarious François Damiens.” —The Hollywood Reporter

<cite>School of Babel (La cour de Babel)</cite>

School of Babel (La cour de Babel)

directed by Julie Bertuccelli in French

Extraordinarily touching, this documentary details a year in the life of a Parisian class of immigrant youth from countries around the globe. They are boys and girls ages 11 to 15 who have just arrived in France. They are placed in a “reception class,” where they receive intensified training in learning and speaking French, so that they can eventually assimilate and join their peers. Their inspiring teacher demonstrates amazing patience, skill, tenderness and insight in counseling and teaching the students, and in interactions with their parents and guardians.

<cite>Tenderness (La Tendresse)</cite>

Tenderness (La Tendresse)

directed by Marion Hansel in French

This delicate, richly-nuanced road movie brings together a long-divorced Belgian couple as they put their differences aside to help their only child, who is hospitalized in France following a skiing accident. True to its title, Tenderness is a compassionate, warm-hearted and often funny depiction of love and affection. “Believable characters caring for one another, beautifully communicated onscreen… this is that rare movie acknowledging a past where bitterness has been set aside and the memory of why love developed at the start isn’t forgotten.” —Variety

<cite>Jealousy (La Jalouisie)</cite>

Jealousy (La Jalouisie)

directed by Philippe Garrel in French

An absorbing treatise on the fragility of happiness and the corrosive effects of distrust and secrecy on relationships.

Actor Louis (played by the director’s son, Louis Garrel) has separated from his wife, and only sees his eight-year-old daughter on weekends. But he has found a new, passionate love with his mistress, a volatile actress named Claudia (Anna Mouglalis).

Divided into two chapters, the film starts with the relatively comfortable domestic rapport of Louis and Claudia. But in the second half, the seeds of jealousy, planted earlier, begin to sprout.

Pricing

  • Individual tickets: $12
  • Opening Night: $15 (includes reception)
  • Members of Alliance Francaise de Chicago: $10/$13
  • See 5 films with a 5-Film Discount Card for $45 (a savings of $18)

Schedule

Among the highlights of this year’s festival is the black comedy Paulette from director Jérôme Enrico, starring the late actress Bernadette Lafont as a brash and opinionated retiree who discovers a surprising way to supplement her meager pension.

Also eagerly anticipated is the biopic Violette, the latest from director Martin Provost (Seraphine). It tells the story of trailblazing feminist writer Violette Leduc and her mentor/object of desire, Simone de Beauvoir, and stars Emmanuelle Devos and Sandrine Kiberlain.

The Chicago French Film Festival is supported by the Cultural Services of the Consulate General of France in Chicago.

Other instances of the Chicago French Film Festival

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