Elvis Presley is the headstrong teen who can sing. Walter Matthau is the crime boss who wants to own him. The dance between these two makes up the central conflict of King Creole, Elvis’ last film before he joined the U.S. Army. Elvis gets plenty of opportunities to show his moves onscreen, but the real delight here comes from watching a seemingly generic Presley vehicle take all the wrong turns and wind up stranded in NOIR CITY. Management troubles would become all too real for Elvis by the 1960s, but even without this real-life parallel, the rock-and-roll star delivers the acting performance of his career. Featuring stylish direction by Michael Curtiz and a spirited turn by Carolyn Jones as the woman caught between the warring show-biz factions.
Music Box Theatre screens films of all genres and from every era of cinema, both new releases and repertory. These films may sometimes contain upsetting, outdated, or offensive material. While we aim to introduce many of our screenings, we do not always provide warnings about potentially triggering content within the films we screen. We encourage our patrons to research the film before they attend using trailers, reviews, or content information found on Common Sense Media, IMDb and DoesTheDogDie.com.
Also Part Of NOIR CITY: Chicago 2026
